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Sunset Boulevard begins at the corner of Figueroa Street, a block
east of the interchange between the Hollywood Freeway (US 101) and
the Pasadena Freeway (California 110). The Arroyo Seco Parkway (as
the 110 was called in 1940, when it opened), was one of the first
modern freeways in the country and was the pattern for the bowl of
concrete spaghetti that Los Angeles is today. It's been widened
since, but it has some pretty sharp curves and it's still graded for
45 mph, and nobody travels that slow on it today. I
avoid it completely. In fact, we avoid all the
freeways unless we're going more than 30 miles.
We began with lunch at BBQ King, a converted gas station on the edge
of Chinatown. I had a tri-tip sandwich and Lee went with the pork.
They have several big smokers made from oil drums, the proper way to
make BBQ in Texas. It was great stuff, a lot of meat swimming in
sauce. So much sauce, in fact, that you'd be well-advised not to
wear white, as Lee was doing that day. In fact, wearing a raincoat
wouldn't be a bad idea. You lick your fingers a lot and then spend a
lot of time in the tiny bathroom trying to get the stickiness off.
If you like it hot (like I do), try their special sauce. It made the
sweat pour off the back of my neck, where I keep my pepper-meter.
Also at the corner of Sunset and Figueroa is a massive block of
condos called The Orsini, and a gigantic hole in the ground where
Orsini, Part Two is being constructed. We started up the hill.
"Ain't no hill or mountain ..." (We try to start uphill, so the
return trip to the car, the toughest part, is downhill. Smart, huh?)
Sunset transforms itself many times in its almost 25-mile length.
The first part, like several others, is old, and heavily Hispanic,
and hilly. It looks like they did a lot of digging in the early
days. Sheer sandstone walls rise all around you, with greenery
spilling down. And as everywhere in L.A., there are flowers. Tons of
flowers, year round. Every available surface down here in the low
numbers seems to have a bright mural spray-painted on it. Some of
them are further defaced with gang tags, but many are left alone. We
love murals. They can cheer up even the dreariest neighborhood.
There are also a lot of examples of the type of Los Angeles
apartments we love, and would like to have found when we were
looking around. It's a series of bungalows around a central
courtyard, each unit separate from the others, like a ‘40s motel.
There are dozens of those on this part of Sunset, though they are
too steep for me to want to live there, as instead of a courtyard
they face into long, long concrete stairways.
You'd never know it, but just over the ridge to the north is
Chavez
Ravine and
Dodger Stadium, and
Elysian Park, which we haven't
visited yet.
And here we encountered something new, or at least something I
hadn't heard about. It's called the Avenue of the Athletes. I
believe it was started in 1984, when the
Olympics were here. They
set brass plaques into the concrete with the name of some sporting
superstar and a symbol of the sport he or she excelled in. I'm not
sure why L.A. is so fond of doing things like that, but you see it
all over the place. This one never really seems to have gotten off
the ground. The plaques are few and widely separated. You'll be
walking along and there's a plaque that says
Babe Ruth, and you
remember: "Oh! I'm on the Avenue of the Athletes. I'd forgotten."
All told, I doubt there are more than 30 or 40 of them, stretching
out at least a mile. They ought to talk to the folks in Hollywood to
find out how this sort of thing is done.
And thus back to the car, me hobbling and much in need of a lie-down
with a fan blowing on my feet. It's the only thing that seems to
work after a walk ... and that's all you'll be hearing about my feet
and knees in this journal. Complain, complain, complain ...
April 25, 2006
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