August 31, 2000 - HOW TO SING THE BLUES

© 2000 by John Varley; all rights reserved

 

 

 

 

 

 

 

 

 

 

If cigarettes turn you off completely, rent a smoke machine from a theatrical supply house.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Any big fat guy wearing a canvas vest with three dozen pockets will do.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Many people think you have to be an old black man with at least some experience at picking cotton or working on a road gang to sing the blues. Nothing could be further from the truth. Anyone can get the blues, and that’s the only spiritual requirement to sing the blues. But you will need a few things, plus a few basic rules.

WHAT YOU’LL NEED

1) A GUITAR. You don’t need a fancy one. In fact, if you spent more than a sawbuck for it, you got cheated. It should have some imperfections, such as a cracked neck from when you hit that no ‘count man from Memphis that was tryin’ to steal your baby upside the head with it. Never play with all six strings intact. If necessary, break a string yourself.

2) A CIGARETTE. You don’t have to smoke it, though long-time smoking will go a long way to giving you that authentic blues voice. Light it and stick it up under one of the strings near the tuning pegs, or set it in an ashtray. What you’re after is the smoke. Blues must be sung in smoky air. If cigarettes turn you off completely, rent a smoke machine from a theatrical supply house. Or, if you’re on a budget, a Vicks Vaporizer. Do not burn incense unless you’ve figured out how to play the blues on a sitar.

3) SEAT. Blues is never sung standing up; you’re too weary to stand. An old, scratched kitchen chair is best, but any folding chair will do. Rocking chairs are great for the blues. Stools are all right, also porch gliders if you have the space to rig one. Barca-loungers are forbidden. Never perform while sitting on a bed or lying in a hammock, though you may rehearse there.

4) HARMONICA. You can play yourself if you have a harmonica rack, but this is not recommended for the beginner. It’s hard to blow a harp and pick a guitar at the same time. We’re not all Bob Dylan. (A thought I find oddly comforting.) So you’ll need a harmonica player as well. Try to get John Popper. If he’s not available or you can’t afford him, get someone who looks like John Popper. Since all harmonica players want to be John Popper, this shouldn’t be too hard. Any big fat guy wearing a canvas vest with three dozen pockets will do. Don’t worry about his musicianship. The rudiments of harmonica playing can be learned in an afternoon. It’s even easier than the three or four chords you need to play blues on your guitar.

THE SUBJECTS

 

Your baby done left you and/or treats you so mean.

(This accounts for ninety percent of all blues songs.)

 

Your dog up and died.

 

You bought sixteen tons of No.9 coal futures and the market moved the wrong way.

 

Your mojo ain’t working.

 

You’re so lonesome you could die.

 

You’ve decided you ain’t gonna work on Maggie’s farm no more.

 

You drinks a bit.

 

Your hard drive done crashed.

 

You can hear that night train whistle a’blowing.

 

Somebody done stole your Lexus.

 

You’re tired of living and scared of dying.

 

The Big Boss man can’t hear you when you talk.

 

Your web page ain’t getting no hits.

 

You shot a man in Reno just to watch him die.

 

You can’t get no satisfaction.

 

You’re lost in the rain in Juarez and it’s Easter time too.

 

Your baby said she was high-class but that was just a lie.

 

You are a rock. You are an island.

 

THE FORM

There are half a dozen different blues formats. They are as rigid as a sonnet. But as in sonnets--- which are always fourteen lines of iambic pentameter (and NEVER say anything like "iambic pentameter" when singing the blues), but can vary quite a bit concerning their rhyme schemes--- so the blues has its own distinctive archetypes..

One of the more familiar variations follows this pattern:

You make a statement.

You repeat that statement.

You make a new statement or an observation, often flowing from the original statement.

Here is an example:

 

Ain’t it hard to stumble and land in some muddy lagoon?

 

Ain’t it hard to stumble and land in some muddy lagoon?

 

‘Specially when it’s nine below zero and three o’clock in the afternoon.

 

They gonna hang your picture, they gonna hang it in a picture frame.

 

They gonna hang your picture, they gonna hang it in a picture frame.

 

Well I might look like Robert Frost, but I feel just like Jesse James.

As you can see from the second verse, the third line does not HAVE to flow from the original iteration, but do not attempt this until you have gained experience.

Another blues variation should serve better to get you started writing and then singing the blues. It goes like this:

You did something or something happened to you.

You react to line one.

You either do something else, or make a wry (blue) observation or statement.

Rather than quote examples of this type of blues, let’s try our hand at writing a few verses, shall we?

THE SONG

There is a school of thought that maintains the old blues subjects simply aren’t blue enough anymore. You say your baby done left you? Go find a new baby. Your dog up and died? There’s plenty more at the dog pound. Modern audiences find these lamentations boring, even laughable. If one is to sing the blues, these critics maintain, one should sing of something that would be a source of suffering to anyone, some physical or mental condition. (The da-dah da-dum is a standard harmonica riff that you would recognize immediately if I could play it for you. You’ll just have to use your imagination.)

MISSING LIMBS

Woke up this mornin’, (da-dah da-dum)

Threw ‘way one of my shoes. (da-dah da-dum)

Figured I wouldn’t need it, got those amputation blues.

IRON LUNG

(inhale) Woke up this (inhale) mornin’, (da-dah [inhale] da-dum)

(inhale) Saw my bottle (inhale) of booze (da-dah [inhale] da-dum)

(inhale) Couldn’t reach to get it (inhale) got them iron lung blues.

NARCOLEPSY

Woke up zzzzzzzzzzzzzz (da-dah da-dum)

Thought about takin’ a snooze (da-dah da-dum)

Zzzzzzzzzzz Huh? What? Oh … those narcolepsy blues.

TOURETTE’S SYNDROME

Woke up this (Crap! Goddam!) mornin’ (da-dah da-dum)

Feelin’ low-down and confuse’ (Arf! Arf!) (da-dum)

Couldn’t stop my cussin’, got those (Darn it! Arf!) Tourette’s Syndrome blues.

PARANOIA

They woke me up this mornin’ (da-dah da-dum)

G-men, aliens and Jews (da-dah da-dum)

They’re all out to get me, got those paranoia blues.

MULTIPLE PERSONALITIES

We woke up this mornin’, (da-dah da-dum)

Picked out a pair of shoes. (da-dah da-dum)

A black one and a brown one, got them schizophrenic blues.

STUTTERING, STAMMERING

Wo-wo-wo-wo-wo-woke up this (da-dah da-dum)

Wa-wa-wa-wait a m-m-m-minute, (da-dah da-dum)

D-d-d-dadgum it! I d-d-d-didn’t get to f-f-f-finish the s-s-s-s-s-second verse!

SHORT TERM MEMORY LOSS

Woke up this morning (da-dah da-dum)

Woke up this morning (da-dah da-dum)

Woke up this morning (da-dah da-dum)

Woke up this morning (da-dah da …

Woke up this morning (da …

Woke up, hey, don’t leave, Mr. Popper, I … hey, where am I?

COLORBLINDNESS

Woke up this morning (da-dah da-dum)

Fell right out of bed (da-dah da-dum)

Couldn’t see the blues, so I sang the reds!

ATTENTION DEFICIT DISORDER (ADD)

Woke up thisladies and gentlemen, Mister John Popper!

Woke upIs that a new harmonica, John?

WokeWhere are you going, John? Ha ha, what a kidder!

DYSLEXIA

Ekow pu siht gninrom (had-ad mud-ad)

T’ndluoc daer eht yliad swen (had-ad mud-ad)

Gnileef os detatsurf, tog esoht ‘lo aixelsyd seulb

ALZHEIMER'S

Woke up Nancy, is that you? (da-dah da-dum)

You aren’t Nancy, who are you? (da-dah da-dum)

Where am I? Who am I? Gurgle. Boo-boo. Snerk.

Back to VarleyYarns or Home

 

 

 

 

 

 

 

 

 

 

 

There is a school of thought that maintains the old blues subjects simply aren’t blue enough anymore.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Never play with all six strings intact. If necessary, break a string yourself.